On Writing: Dewey Decimal Number and Edition Guide
Stephen King
On Writing: A Memoir of the Craft has 813.54 in the selected Library of Congress record for Stephen King’s 2010 Scribner hardcover, ISBN 9781439193631. The same classification field also contains a separate B marker, which is retained as source information rather than converted into a decimal number. This mixed record is a useful clue to the book’s character: it concerns a writer’s life as well as writing. Readers looking for a practical handbook, a literary memoir, or material about King should distinguish those purposes before choosing how to use it.
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The edition behind this number
How do memoir and writing instruction fit together here?
The catalogue subjects include American authors’ biographies, horror-story authorship, and authorship more generally. The publisher likewise describes a combination of personal recollection and discussion of writing practice. That makes the subtitle useful evidence rather than decoration. A biographical passage can show the setting in which an approach to writing developed; a practical passage can present an approach a reader may want to examine. They contribute different kinds of information, even when they appear in the same book and are connected by the same author’s experience.
Two metaphors highlighted in the publisher’s discussion guide offer a focused way into the craft material: a writer’s toolbox and the excavation of a story. They raise different questions. A toolbox suggests resources a writer can learn to use; excavation suggests discovering something while working. In a workshop, place a passage about technique beside one about discovering a story and ask how the two approaches interact. This comparison is our suggested exercise. It keeps attention on King’s particular account of craft instead of treating a memorable life episode as a rule for every writer.
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Why does a book about writing show 813.54?
The actual numeric value comes from 813/.54 in the original record. The biography and authorship subjects provide context for interpreting a literary classification in a nonfiction memoir. Do not conclude from the number alone that this is one of King’s novels. The subtitle and subject fields explicitly identify a different kind of publication. This is an especially useful example when a search result displays only a title and a number: opening the full record can resolve an apparent mismatch that the abbreviated display leaves unexplained.
Sources: [1]
The separate B value in the same field is not an extra digit, an ISBN suffix, or a number to concatenate with 813.54. Preserve it separately when documenting the source. If a local catalogue uses a different shelf arrangement for biographies, inspect its actual holding record rather than inventing a universal location from the letter. For a reading list, the more immediately useful description is literary memoir and writing craft. That wording reflects the title and subjects while leaving the original numeric and nonnumeric observations intact.
Sources: [1]
Which On Writing publication is matched?
A note in the selected record explicitly identifies the Scribner hardcover edition of 2010. The publication field contains copyright dates for both 2010 and 2000, and the publisher’s matching ISBN page identifies a July 2010 hardcover. Keep both catalogue copyright dates instead of silently choosing one. The date field and the edition-identifying note answer related but different questions. Together they let a reader recognise the selected later hardcover without misrepresenting the work as having originated only in the year of that particular publication.
The record also lists an electronic ISBN, qualified as ebook, alongside the hardcover identifier. Its presence does not make the two formats the same physical object. If you are following a workshop’s page references, match the intended publication or agree on another way of locating passages. The catalogue’s own pagination notation is unusually specific, with preliminary pages and a numbered span; retain it as source metadata rather than using a simplified product-page total to overwrite the record. The hardcover note and exact identifier are the clearest anchors for this page.
Sources: [1]
How does it compare with The Elements of Style and Bird by Bird?
The Elements of Style’s fourth-edition record has 808.042 and subjects for English rhetoric, style, and report writing. That gives a different catalogue lead for a writer whose immediate task is revising sentences or a report. King’s record includes the biographical dimension as well as authorship. A student might consult the two books at different stages: one to examine a writer’s account of practice, another to inspect a specific prose problem. This comparison concerns the descriptions and intended reading tasks, not a ranking of the authors’ authority.
Bird by Bird’s selected 1995 record gives 808.02 and describes authorship in handbook form. It therefore offers another writing-related comparison without carrying the same classification as King’s memoir. When assembling a short reading list, give each book a question: an account of becoming and working as a writer, help with the writing process, or attention to English style. A question-based list is more informative than assuming that every title containing writing provides the same kind of advice. The books can complement one another precisely because the records describe different emphases.
What makes a focused workshop discussion possible?
The publisher’s reading guide raises topics such as the relationship between reading and writing, the audience a writer imagines, and the timing of feedback. Select one of those concerns and bring a passage from the book that addresses it. For a feedback discussion, compare what you wanted a reader to notice with what the reader actually noticed in a short piece of your own work. Keep the discussion attached to the passage and the observed response rather than invoking King’s reputation as the answer.
Sources: [2]
For example, give a reader a scene in which one character wants to leave and another wants them to stay. Before sharing it, identify the moment when you expect the reader to understand those opposing wishes. Ask the reader where that became clear, then inspect the wording and sequence around that point. This original exercise gives the publisher guide’s audience question an observable outcome. It also separates a disagreement about taste from a communication problem: a reader can dislike a character while still understanding exactly what the scene is doing.
Sources: [2]
Sources for this edition guide
The record lists a valid ISBN associated with this edition. That does not independently verify every metadata field, establish a universal number for every version, or give the complete local shelf location. Compare the source with your copy.
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Related edition examples
Compare these separately sourced books on related subjects. Their classifications apply to their own records.
- The Elements of Style — 808.042
Keep exploring
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